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Thèses et mémoires

Des thèses et mémoires de nos étudiantes et étudiants sont conservés et consultables dans Papyrus , le dépôt institutionnel de l’Université de Montréal.

 

 

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Date Trier par date en ordre décroissant Titre Trier par titre en ordre décroissant
2019 Midwife-Witches : examining midwives and women's magick in Ami McKay's The Birth House
2010 Variations on charisma : Shakespeare's saintly, villain, and lustful leaders
2012 Bodies, Saracen giants, and the medieval romance : transgression, difference, and assimilation
2006 When rhetoric is a lady : rhetorical identity and Shakespearean female characterization
2023 Cross-dressing Shakespeare : contemporary Japanese performances and adaptations
2013 No Laughing Matter: Shakespearean Melancholy and the Transformation of Comedy
2017 Gender Performativity in Chaucer’s Troilus and Criseyde and Shakespeare’s Troilus and Cressida
2008 Wanted : dead or alive. Women as bodies in Shakespeare's Pericles, King Lear and Macbeth
2025 Old english story(re)tellings : fan writing behaviours and heritage in J.R.R. Tolkien’s translation of Beowulf and “Sellic Spell”
2018 Japanese Macbeth : Shakespeare's role on the international stage
2023 “Private” subjects and public violations : women and the public sphere in Shakespeare
2023 Shakespeare and the hermeneutics of censorship in Renaissance England
2006 Reading the alternative text : the emergence of the feminine in Malory's Morte Darthur
2014 Women, sources, and rhetoric in George Pettie’s A petite pallace of Pettie his pleasure
2026 Gender, power, and the reinforcement of patriarchy in The Hunger Games and Twilight
2013 Deictic shifts and discursive strategies in Othello
2022 “Document[s] in madness” : female mental (dis)abilities in Hamlet and The Changeling
2013 The Place of the Gods : Biblical, Tragic, and Humanist Modes in Shakespeare’s Antony and Cleopatra
2025 Universes beyond : exploring the multiverse and the Faustian deal in Christopher Marlowe’s Doctor Faustus and James Jacobs’ Pathfinder
1991 Alienation and gender separation in Sherwood Anderson's Fiction