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Thèses et mémoires

Des thèses et mémoires de nos étudiantes et étudiants sont conservés et consultables dans Papyrus , le dépôt institutionnel de l’Université de Montréal.

 

 

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Date Trier par date en ordre décroissant Titre Trier par titre en ordre décroissant
2004 Differing bodies, defying subjects, deferring texts : gender, sexuality, and transgression in Chinese Canadian women's writing
2005 What language is this ? : a study of abjection in Djuna Barnes's Nightwood and Anne Stone's Hush
2017 Performing femininity within masculine circles : a study of negation in the works of Mina Loy
2018 The poetics of translation : a thinking structure
2024 Dreams screams and other violent means : an essay on ghosts
2010 Believing in belief : the modernist quest for spiritual meaning (Croyer en croyance : la quête moderniste pour le sens spirituel)
2012 Literary meals in Canada : the Food/books of Austin Clarke, Hiromi Goto, Tessa McWatt and Fred Wah
1997 Hybrid canons, hybrid theories : the political dialectic of literary theory and canon criticism
2019 Theorizing the peregrinations of Anglo/Québécois literature in translation
1999 The Canada Council, the regional theatre system and the English-Canadian playwright : 1957-1975
1998 Through a glass darkly : gothic intertexts in Margaret Atwood's Cat's eye
2001 The Flood Myth, the Lone Ranger, and the re-centering of marginal masculinity in Green Grass, Running Water by Thomas King
2022 The dimensions of space : metaphorical poetics
1996 This is who I am and why : codes, will, confession and transformation in Atwood, Ricci, Salinger and Baldwin
1998 The death of a beautiful woman : "nineteenth century up-to-date with a vengeance"
2024 Disghosting : experimental reconsiderations of haunting in Canadian literature
2000 Women's autobiographies : (Un)conscious re-presentations of self and mother
2003 Arab woman : different culture, different feminism
1997 The question of identity in italian-canadian fiction
2023 Navigating trauma and the city : at the intersection of trauma theory and flânerie in contemporary Canadian fiction