| 2012-08 |
L'écoute en scène : vers un renouveau de la dramaturgie sonore dans Inferno de Romeo Castellucci |
Blanchette-Lafrance, Maude |
Despoix, Philippe; Larrue, Jean-Marc |
| 2013-06 |
Road novel, road movie : approche chronotopique du récit de la route |
Brasebin, Jenny |
Despoix, Philippe; Marie, Michel |
| 2018-08 |
Dancing on the Edge of the Word : Ursula K. Le Guin and Metaphor |
Sheckler, Catherine |
Eberle Sinatra, Michael |
| 2015-08 |
Eventual benefits : kristevan readings of female subjectivity in Henry James’s Late Novels |
Tufenkjian, Viken |
Eberle Sinatra, Michael |
| 2014-12 |
Sign, meaning and violence in Laurell K. Hamilton’s novels : a postmodernist approach |
Mestiri, Asma |
Eberle Sinatra, Michael |
| 2005 |
Existential criminology : a profile of phantom killers |
Steck, Stephen M. |
Eberle Sinatra, Michael |
| 2020-12 |
Coalescence and opposition : depiction of vampires in Bram Stoker’s Dracula and Stephenie Meyer’s Breaking Dawn from the Twilight series |
Lavallée, Olivier |
Eberle Sinatra, Michael |
| 2021-12 |
The manifestation of the political in the gendered society of Gilead in Margaret Atwood's The Testaments |
Morakabati, Ghodsieh |
Eberle Sinatra, Michael |
| 2021-11 |
The politics of female friendship in contemporary speculative fiction |
Colombo Machado, Gabriella |
Eberle Sinatra, Michael |
| 2009-11 |
Between the spheres : male characters and the performance of femininity in four victorian novels, 1849-1886 |
Beauvais, Jennifer |
Eberle Sinatra, Michael |
| 2013-04 |
Eye and Ear in Wordsworth's Poetry |
Hachaichi, Ihsen |
Eberle Sinatra, Michael |
| 2009-08 |
Faith lost and regained : the evolution of Anne Rice's critique of christianity in The Vampire Chronicles |
Vézina, Marie-Ève |
Eberle Sinatra, Michael |
| 2003 |
Jane Austen and her men : ancestors of the modern romances |
Laberge, Elaine |
Eberle Sinatra, Michael |
| 2009-08 |
The Abuser and the Abused : impropriety in Selected Texts by Jane Austen |
Dimakis-Toliopoulos, Panagiota |
Eberle Sinatra, Michael |
| 2014-01 |
Transgression in Matthew Lewis's The Monk and the Fragmentation of the Self |
Lassoued, Nesrine |
Eberle Sinatra, Michael |
| 2013-12 |
Revisiting the gentleman : a study of hegemonic masculinity in the works of Jane Austen |
Olguin, Suyin |
Eberle Sinatra, Michael |
| 2006 |
"Inside our own skins" : representations of estrangement in four plays by Tennessee Williams |
Tufenkjian, Viken |
Eberle Sinatra, Michael |
| 2010-08 |
Dramatizing whoredom : prostitution in the work of Tennessee Williams |
Landry, Denys T. |
Eberle Sinatra, Michael |
| 2012-12 |
Building Blocks : Children's Literature and the Formation of a Nation, 1750-1825 |
Koay, Elvina |
Eberle Sinatra, Michael |
| 2012-12 |
Building Beyond Limits : Fantastic Collisions Between Bodies and Machines in French and English Fin-de-Siècle Literature |
Castravelli, Lianne C. |
Eberle Sinatra, Michael |
| 2012-12 |
The Aesthetics of Madame de Staël and Mary Shelley |
Mouratidis, Maria |
Eberle Sinatra, Michael |
| 2014-03 |
Daughters of Lilith : transgressive femininity in Bram Stoker’s late gothic fiction |
Boudreau, Brigitte |
Eberle Sinatra, Michael |
| 2016-08 |
A Romantic Bildung : the development of coming-of-age novels in the Romantic period (1782-1817) |
Grenier, Alexandra |
Eberle Sinatra, Michael |
| 2007 |
Widening gaps, productive spaces : the construction of Victorian identity in Thomas Carlyle, Lewis Carroll and George Eliot |
Sheckler, Catherine |
Eberle Sinatra, Michael |
| 2008 |
Explorations of identity in Philip K. Dick's Do androids dream of electric sheep? |
Polyrakis, Anastasia |
Eberle Sinatra, Michael |
| 2009 |
Why they kill : criminal etiologies in Mary Shelley's Frankenstein, R.L. Stevenson's Strange case of Dr Jekyll and Mr Hyde, and Oscar Wilde's The picture of Dorian Gray |
Léger-St-Jean, Marie |
Eberle Sinatra, Michael |
| 2007 |
The elusive vampire : an examination of unfixed sexuality in Bram Stoker's Dracula |
Boudreau, Brigitte Suzanne |
Eberle Sinatra, Michael |
| 2009 |
Nation, miscegenation, and the myth of the Mulatta/o Monster 1859-1886 |
Murphy, Jessica Alexandra Maeve |
Eberle Sinatra, Michael; Brown, Caroline |
| 2023-05 |
Neither here nor there : the Figure of the vampire as a locus of neutrality |
Levesque, Marie |
Eberle Sinatra, Michael; Laperrière, Maureen |
| 2015-04 |
Engendered Conversations: Gender Subversion Through Fictional Dialogue in Lawrence, Hemingway and Forster |
Snelgrove, Allison |
Eberle Sinatra, Michael; Malcolm, Jane |
| 2006 |
The symbolical functions of space in fantasy : towards a topography of the genre |
De Launay, Caroline |
Eberle Sinatra, Michael; Menoux, Sophie |
| 2022-08 |
Interprétation littéraire numérique : modélisation algorithmique, cybersémiotique et herméneutique |
Audin, Yann |
Eberle Sinatra, Michael; Vitali-Rosati, Marcello |
| 2022-03 |
The narrative manipulation of human subjectivity : a machinic exploration of psyche as artificial ready-made |
Desrochers Ayotte, Alexandre |
Eberle Sinatra, Michael; Vitali-Rosati, Marcello |
| 2024-01 |
La pensée aporétique et le regard rhétorique : traces du cours classique dans l'œuvre de Pierre Perrault |
Charest, Johanne |
Garneau, Michèle |
| 2016-08 |
Pour une poétique historique du point de vue médiatisé au cinéma |
Campeau-Dupras, Guillaume |
Garneau, Michèle |
| 2006 |
Étude du développement d'un cinéma léger et synchrone à l'Office national du film du Canada, à Montréal |
Bouchard, Vincent |
Garneau, Michèle; Marie, Michel |
| 2007 |
De l'attraction au cinéma |
Paci, Viva |
Gaudreault, André |
| 2006 |
Le cinéma à l'épreuve de la communauté : la production francophone à l'Office national du film du Canada |
Froger, Marion |
Gaudreault, André; CHATEAU, DOMINIQUE |
| 2006 |
Découpage, automates et réception : aspects du cinéma et de ses débuts (1886-1915) |
Sirois-Trahan, Jean-Pierre |
Gaudreault, André; Odin, Roger |
| 2001 |
The little presses that did : a history of First statement press, Contact press and Delta Canada, and an assessment of their contribution to the rise and development of modernist poetry in Canada during the middle part of the twentieth century |
Tracey, Collett |
Gnarowski, Michael; Roiter, Howard |