Katharina Clausius
Courriels
katharina.clausius@umontreal.ca (Travail)
Travail 1 : 514 343-6208
Web : LinkedIn
Web : Autre site web
Affiliations
- Membre – CRIalt — Centre de recherches intermédiales sur les arts, les lettres et les techniques
- Membre – OICRM — Observatoire interdisciplinaire de création et de recherche en musique
Research recruitment
PROSPECTIVE MA, PHD, AND HONOURS STUDENTS
I welcome inquiries from students interested in working with me in the Honours, MA, and PhD programs. My own areas of specialization include:
- Intermedial studies, especially the relationships between literature, music, and visual art
- Political philosophy, especially theories of democracy and representation and the politics of aesthetics
- Theatre and opera
- Musical culture
- Early Modern studies
- European modernism
- Research creation, i.e. non-traditional projects using creative methods
- French, English, German, and Italian cultural history
If your work intersects with any of these areas, please get in touch! I will be happy to discuss your project with you, offer advice, and discuss what kind of supervisory fit would be best for you.
Please write me at katharina.clausius@umontreal.ca with the following information:
- The program you wish to pursue
- Your CV and academic transcripts
- A 300-word summary of the project you have in mind
- 2-3 sentences outlining what experience you have in the area already and in what areas you will need to develop your competencies
- Your availability for an in-person or online meeting
You can consult the general study plan my students follow module on this website.
Looking forward to meeting you!
Education Programs
- Literature and Languages Humanities Social Sciences
- Literature and Languages
- Literature and Languages
- Literature and Languages
- Literature and Languages
- Literature and Languages
- Literature and Languages
- Literature and Languages
- Literature and Languages
- Literature and Languages Humanities
- Literature and Languages Humanities Information and Communication Technologies
- Arts and Music Humanities
- Arts and Music Humanities
- Arts and Music
- Arts and Music
- Arts and Music
- Arts and Music
- Arts and Music
- Literature and Languages Humanities Social Sciences
- Arts and Music Information and Communication Technologies
- Arts and Music
- Communication Literature and Languages Humanities Social Sciences Information and Communication Technologies
- Information and Communication Technologies Arts and Music
- Literature and Languages Humanities
- Arts and Music Humanities
- Arts and Music
Courses
- ANG2006 Literature, Culture and Contact
- LCO1001 Le textuel et le visuel
- PLU6042 Problématiques de l'intermédialité
Areas of Expertise
- Word and Music Studies
- Theories and practices of intermediality
- Literature criticism
- Littérature et peinture
- Politics of aesthetics
- Cultural policy
- Media Theories
- Musicology
- Aesthetics and visual culture
- Theories of democracy
- Opera
- Visual arts
- Modern and post-modern Theater
- Poetry and poetics
- Early Modern Times
- Baroque Period
- Age of Enlightenment
- 20th century
- 2000 A.D. - Present
- Between the wars
- Intermediality
- Literature and philosophy
My research focuses on intermedial studies and the politics of aesthetics in literature, visual art, and music. I am particularly interested in the creation and reform of cultural-political spaces – such as the theatre, the public press, and the museum – and how these spaces are influenced by notions of representation, history, emancipation, sovereignty, and partisanship. Prioritizing a multidisciplinary approach, my projects span the human and social sciences as well as bioethics and seek to understand how and why art and politics collide. Special areas of interest include: theories and practices of intermediality; the philosophy of Jacques Rancière; interwar cultural diplomacy; early modern and modernist art, music, and literature; opera studies. Before joining the University of Montreal in 2019, I was Assistant Professor at the University of Victoria.
Student supervision Expand all Collapse all
Research projects Expand all Collapse all
Observatoire interdisciplinaire de création et de recherche en musique (OICRM) Projet de recherche au Canada / 2024 - 2026
La politique de la représentation musicale: la tradition culturelle et la nouvelle démocratie autrichienne dans l'entre-deux-guerres Projet de recherche au Canada / 2021 - 2026
Participatory Democracy and the Canadian Genetic Non-Discrimination Act Projet de recherche au Canada / 2021 - 2026
Participatory Democracy and the Canadian Genetic Non-Discrimination Act Projet de recherche au Canada / 2022 - 2025
Observatoire interdisciplinaire de création et de recherche en musique (OICRM) Projet de recherche au Canada / 2017 - 2025
The Politics of Representation: Old Culture and New Democracy in Interwar Austria Projet de recherche au Canada / 2020 - 2022
Weimar in 20/20: The Glamour of the Empty Centre, International Symposium Projet de recherche au Canada / 2020 - 2021
Publications Expand all Collapse all
Monographies et Ouvrages collectifs codirigés
- The Routledge Companion to Early Modern Music and Literature. Avec Rachel Durkin, Christin Hoene, Katherine Butler. Taylor & Francis. 2025 (sous presse).
- (Re)Centering the Weimar Republic. Avec Claudia Clausius. University of Toronto Press, German and European Studies Series. Anticipé 2025.
- Opera and the Politics of Tragedy. University of Rochester Press/Boydell & Brewer. 2023.
- The Routledge Companion to Music and Modern Literature. Avec Rachel Durkin, Peter Dayan, Axel Englund. Taylor & Francis. 2022.
Chapitres de livres
- "Weimar's Political Centrisms." Dans (Re)Centering the Weimar Republic. University of Toronto Press. 2025 (Anticipé).
- "Rancière on Music: Rancière's Non-Music." Dans Rancière and Music, sous la dir. de João Pedro Cachopo, Patrick Nickleson, Chris Stover. Avec un épilogue par Jacques Rancière. University of Edinburgh Press, 2020.
Articles de revues scientifiques
- “Bill S-231: The Ethics of Familial and Genetic Genealogical Searching in Criminal Investigations.” Avec Michael J. Crawford and Erin Kenny. Canadian Journal of Bioethics 6/3-4 (2023): 44-56.
- “An Indistinct Fear: Jacques Rancière and Mary Shelley’s Unrepresentable Aesthetics.” Avec Stefan Sunandan Honisch. Theory & Event 25/3 (2022): 536-564.
- “Translation ~ Politics.” Philosophy Today 61/1 (2017): 249-266.
- “Mit(h)ridate’s Poisoned Roots: Racine, Prose Tragedy, and Opera.” The Opera Quarterly 32/1 (Winter 2016): 1-33.
- “Historical Mirroring, Mirroring History: An Aesthetics of Collaboration in Pulcinella.” Journal of Musicology 30/2 (Spring 2013): 215-251.
- “John Cage’s ‘Whiteness:’ Cheap Imitation.” Tempo 65/258 (October 2011): 11-19.
- “Structural Narratives of Musical Space and Pacing in Mozart’s String Quartets and Quintets.” KronoScope: International Journal for the Study of Time 9/1-2 (2009): 61-80.
Articles de vulgarisation scientifique
- “Conversing with Enlightenment Polemicists.” Proofed: A Boydell & Brewer Blog. 2023.
- “Modern Times.” Verso Table ronde sur Jacques Rancière avec Oliver Davis et Jussi Palmusaari. Verso Books. 2022.
- “Bill S0231 & DNA Evidence: Effective Tool or Discrimination?” Impact Ethics, sous la dir. de Chris Kaposy (Memorial University). Avec Michael J. Crawford and Erin Kenny. 2022.
Additional Information
Media
News
Browse this profile on: