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Thèses et mémoires

Des thèses et mémoires de nos étudiantes et étudiants sont conservés et consultables dans Papyrus , le dépôt institutionnel de l’Université de Montréal.

 

 

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Date Trier par date en ordre croissant Titre Trier par titre en ordre croissant
2003 Jane Austen and her men : ancestors of the modern romances
2005 Existential criminology : a profile of phantom killers
2009 Why they kill : criminal etiologies in Mary Shelley's Frankenstein, R.L. Stevenson's Strange case of Dr Jekyll and Mr Hyde, and Oscar Wilde's The picture of Dorian Gray
2012-12 Building Beyond Limits : Fantastic Collisions Between Bodies and Machines in French and English Fin-de-Siècle Literature
2012-12 The Aesthetics of Madame de Staël and Mary Shelley
2018-08 Dancing on the Edge of the Word : Ursula K. Le Guin and Metaphor
2014-03 Daughters of Lilith : transgressive femininity in Bram Stoker’s late gothic fiction
2013-04 Eye and Ear in Wordsworth's Poetry
2016-08 A Romantic Bildung : the development of coming-of-age novels in the Romantic period (1782-1817)
2008 Explorations of identity in Philip K. Dick's Do androids dream of electric sheep?
2007 Widening gaps, productive spaces : the construction of Victorian identity in Thomas Carlyle, Lewis Carroll and George Eliot
2007 The elusive vampire : an examination of unfixed sexuality in Bram Stoker's Dracula
2012-12 Building Blocks : Children's Literature and the Formation of a Nation, 1750-1825
2020-12 Coalescence and opposition : depiction of vampires in Bram Stoker’s Dracula and Stephenie Meyer’s Breaking Dawn from the Twilight series
2013-12 Revisiting the gentleman : a study of hegemonic masculinity in the works of Jane Austen
2014-01 Transgression in Matthew Lewis's The Monk and the Fragmentation of the Self
2009 Nation, miscegenation, and the myth of the Mulatta/o Monster 1859-1886
2015-04 Engendered Conversations: Gender Subversion Through Fictional Dialogue in Lawrence, Hemingway and Forster
2006 The symbolical functions of space in fantasy : towards a topography of the genre
2016-08 Pour une poétique historique du point de vue médiatisé au cinéma